I struggle to believe that a grown man would behave this way for the reasons that Cal goes off the rails. She’s learning not to let people walk all over her, which fans have been lamenting since Episode 1.Įven more absurd than Cassie’s breakdown is Cal’s. Cassie holds her own while arguing with Nate, which we haven’t really seen her do at all this season. Nate and Maddy’s dialogue also feels somewhat over the top and inauthentic. Side note: this fight scene is…not well written. We finally see Cassie stand up to Nate earlier in the episode-they get into a screaming match and she calls him out, telling him he’s generally terrible for Maddy. She just gets wasted, vomits in the hot tub next to Maddy, Nate, and all their friends, and sobs as her mom drags her away. Honestly, the anticipation of whether Maddie is going to find out is getting too drawn out, and I’m starting to care less.Ĭassie does break in this episode, but her meltdown doesn’t offer the satisfying payoff of a confession like the one she imagined in the previous episode. It’s such a satisfying moment that the line has even become a TikTok sound with tens of thousands of videos. In Episode 3, Cassie reaches her breaking point internally, and in a fantasy she tearfully confesses to her affair with Nate and screams that she has “never, ever been happier,” an instance I was disappointed to discover was only imagined. The tension between Maddy, Nate, and Cassie is a lot less pleasurable-in fact, it’s bordering on torturous. The pressure and release of this situation leaves me feeling teased every time. Jules still hooks up with Elliot in the wake of this devastating news, which is both sad and interesting-it could definitely evolve into a tense dynamic next episode. I almost went so far as to say that “I called it” last week when I theorized a possible threesome, but things come crashing down pretty quickly when Rue tells Jules she can’t stand her, and later Elliot tells Jules that Rue has relapsed. We can’t forget the continuation of their sexy game of truth or dare, which definitely induced some butterflies for me. While some of the other character arcs feel stalled, the Rue/Elliot/Jules triangle truly makes some progress this episode. There are small instances of gratification, such as when the attraction between Jules and Elliot reaches its boiling point and they finally kiss, but otherwise we’re left begging for more. The tension between Rue, Jules, and Elliot is perhaps the most satisfying part of this episode. It isn’t too surprising that Hunter Schafer and Dominic FIke might be involved in the real world, too. As they do unspeakable things to each other’s hands, it becomes clear why: the chemistry between Jules and Elliot trumps whatever he and Rue may have had. Jules and Elliot have grown closer, leaving Rue as the outsider. Jules goes to Elliot for advice following the disaster, and something has noticeably shifted in the trio’s dynamic since the last episode. When Rue fakes an orgasm, we discover that while Zendaya’s acting is admirable, Rue isn’t much of an actor herself. My personal favorite was their reproduction of Brokeback Mountain, featuring a mini horse and a dramatized makeout that provided much-needed comic relief for this episode.Īfter reveling in the delight of the film recreations, Rue and Jules’s sex scene brings us back to the desolate reality that is Episode 4-and it only goes downhill from here. What’s better is the ensuing sequence in which Rue and Jules recreate classic paintings and iconic film scenes among the likes of The Birth of Venus, Ghost, and Titanic, as Rue basks in her love for Jules. Yes, they’re finally doing it, but Rue is also so high on opiates she can’t feel a thing she says Jules might as well be licking her ankle. While this episode delivers on Euphoria ’s characteristic awe-inspiring visuals and memorable soundtrack, the plot and characters once again fall flat.Īs always, Sam Levinson throws us into the deep end with the episode’s opening sequence-how could we stop watching after something as alluring as last week’s butt shot? This episode opens on Jules going down on Rue, which I both love and hate to see. Of course it had its impressive, entertaining moments, but “You Who Cannot See, Think of Those Who Can” is defined primarily by its absurdity-which is in some moments a joy to watch, and in others, painstakingly difficult to sit through. But I finished this episode more appalled than amazed. “Euphoria” hits its breaking point in episode 4Įuphoria never fails to shock, and Season 2 Episode 4 is no different.
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